Bibliografía Básica
Bordwell, D. (2020). The cinema of Eisenstein. Routledge.
Chion, M. (2013). Audio-Vision. Fachverlag Schiele & Schoen.
Dancyger, K. (2018). The technique of film and video editing: history, theory, and practice. Routledge.
Eisenstein, S. (1989). Teoría y técnica cinematográficas (Vol. 4). Ediciones Rialp.
Millar, G. y Reisz, K. (2003). Técnica del montaje cinematográfico. Taurus.
Murch, W. (2001). In the Blink of an Eye (Vol. 995). Los Angeles: Silman-James Press.
WOOTTON, C., Compresión de audio y vídeo, Anaya Multmedia, 2006
Bibliografía Complementaria
Konigsberg, I. (1997). The complete film dictionary. Dutton Adult.
Pank, B. (2008). The Digital Fact Book: Converged Media. Quantel. Saatavissa: www. quantel. com/repository/files/library_DigitalFactBook_20th. pdf [viitattu 16.9. 2011].
Stephenson, N. (1999). In the beginning… was the command line (pp. 1-60). New York: Avon Books.
Filmografía recomendada
Aronofski, D. (2001) Requiem for a dream. Artisan Entertainment.
Bergman, I. (1972). Cries and whispers. Svensk Filmindustri.
Bertolucci, B. (2003) Soñadores. RPC.
Coppola, F. (1979) Apocalipsis Now. Omni Zoetrope.
Coppola, F. (1990) The godfather III. Paramount Pictures.
Cousins, M. (2012). The story of film: an odyssey. Network Releasing.
Dolan, X. (2014) Mommy. Metafilms
Eisenstein, S. (1929) Lo viejo y lo nuevo. Sovkino.
Eisenstein, S. (1925) Acorazado Potemkin. Mosfilm.
Fincher, D. (1999) Fight club. Fox.
Fincher, D. (2011) The Girl with the dragon tatoo. Columbia Pictures.
Ford, J. (1949) She Wore a Yellow ribbon. Argosy Pictures.
Gasnier, L. (1907) Le cheval emballé. Pathé.
Glather, J. (2000) Sexy beast. Filmfour.
Godard, J.L. (1960) À bout de souffle. Imperia Films.
Godard, J.L. (1965) Pierre Le fou. Films Georges de Beauregard.
Griffith, D.W. (1908) Greaser´s Gaunlet. David W. Griffith Corporation.
Griffith, D.W. (1909) A Corner in Wheat. David W. Griffith Corporation.
Griffith, D.W. (1909) The Lonely Villa. David W. Griffith Corporation.
Griffith, D.W. (1915) The Birth f a Nation. David W. Griffith Corporation.
Griffith, D.W. (1916) Intolerance. David W. Griffith Corporation.
Haymenn y Nuggia (2019) Glad he´s gone. Iconoclast.
Hawks, H. (1943) His Girl Friday. Columbia Pictures.
Hitchcock, A. (1935) The 39 Steps. Gaumont-british.
Hitchcock, A. (1960) Psycho. Paramount Pictures.
Jeunet, J.P., Caro, M (1991) Delicatessen. UGC.
Kar-Wai, W. (2001) In the Mood for Love. Jet Tone Production.
Keaton, B (1924) Sherlock Jr. Buster Keaton Productions.
Kenneally, C. (2012) Side by side. Tribeca Film.
Ki-duk, K. (2003) Primavera, Verano, otoño, invierno… LJ Films.
Kurosawa, A. (1954) Los siete Samuráis. Toho.
Mackendrick, A. (1952) Mandy. Ealing Studios.
Marker, C. (1957) Letter from Siberia. Argos films.
Marker, C. (1962). La Jetée. Anatole Dauman.
Mille, C.B. (1918) The Squaw Man. Famous Players-Lasky
Peckimpah, s. (1971) Straw Dogs. ABc Pictures.
Porter, E. (1903) Life of an American Firemen. Edison Manufacturing Company.
Pudovkin, V. (1926). Mother. Mezhrabpom-Rus.
Pudovkin, V. (1927). Fin de San Petersburgo. Mezhrabpom-Rus.
Ramsay, l. (2017) You were never there. Why not productions.
Reed, C. (1947) Old man out. Two Cities Films.
Reed, C. (1948) The third man. London Films.
Riefenstahl, L. (1935). Triumph des Willens. Reichsparteitag-Film
Romanek, M. (2004) 99 problems. Anonymous content.
Schnabel, J. (2007) Le scaphandre et le papillon. Pathé.
Smith, G.A. (1900) Grandma´s reading glass. G.A. Smith.
Smith, G.A. (1903) The sick kitten. G.A. Smith.
Villeneuve, D. (2021) Dune. Legendary Pictures.
Tati, J. (1953) Les vanances de Monsier Hullot. CAdy.
Truffaut, F. (1959) 400 blows. 400 blows Films.
Truffaut, F. (1962) Jules e Jim. Les Films du Carroussel.
Varda, A.(1962) Cléo de 5 a 7. Ciné-Tamaris.
Welles, O. (1941) Citizen Kane. RKO Radio Pictures.
Welles, O. (1942) The Magnificient Ambersons. RKO Radio Pictures
Zecca, F. (1901) Histoire d’un crime. Pathé.
Zinnemann, F. (1952) High Noon. Stanley Kramer Productions.
Fuentes web
Movie Montage (n.d.) https://www.youtube.com/channel/UCo7islbwJj7VkYpj5K-UgDg/videos
Hellerman, J. (2019) How can the aspect ratio of your film or TV show contribute to your story?. https://nofilmschool.com/Aspect-Ratio-Examples-For-Filmmakers
Hess, J (2015) The History of Frame Rate for Film. https://filmmakeriq.com/the-history-of-frame-rate-for-film/
Suderman, P. (2016) There’s one great reason to see Quentin Tarantino’s The Hateful Eight in theaters. https://www.vox.com/2016/1/4/10707828/hateful-eight-70mm-roadshow
Tabora, V. (2019) Progressive vs. Interlaced. https://medium.com/hd-pro/progressive-vs-interlaced-e18e2924800e